4 "Some Ideas about My Octuor," The Arts (January 1924); reprinted in Eric Walter White, Stravinsky (Berkeley: University of California Press, 1966), 528-30.
Octet (Stravinsky) From Wikipedia, the free encyclopedia. This explanation, “Some Ideas about my Octuor,” appeared in the January 1924 issue of The Arts, a London magazine. 3 Stravinsky and Craft, Dialogues, 6-7. example, the obsession with neo-classicism as in some sense a paradigm of the inner nature of pure creativity came from Stravinsky himself and was associated from the start ('Some Ideas about my Octuor'10) - and right through to the Poetics - with his rejection not only of romanticism but of precisely those Russian origins which it was Several benefits—including catharsis, communication, and experiencing vitality—can be associated with grieving in response to “sad” music. Published in 2015, edited by Eileen Hogan Writings About Music is the TCD Music Society periodical. The Octet for wind instruments is a chamber-music composition by Igor Stravinsky, completed in 1923. This explanation, “Some Ideas about my Octuor,” appeared in … Fortunately, my contention does not defy this. Some Ideas About the Octet “Some Ideas about My Octuor” “My Octuor is not an ‘emotive’ work” “I admit the commercial exploitation of a musical composition” “This sort of music has no other aim than to be sufficient in itself”
What Stravinsky wrote about the Octet Stravinsky’s Octet has a very facetious mood. See also "Quelques Confidences sur la Musique" (1935), reprinted in White, Stravinsky, 535-39; and "Interview" (1938), also reprinted in White, Stravinsky, 539-41. Alleging however that this music is ‘about’ a walk would rightly insult many knowledgeable music lovers and not in the least Stravinsky himself, who in his ‘Some Ideas about my Octuor’ outright scorns the thought that music is about anything at all. Neoclassicism as Ideology RICHARD TARUSKIN Scott Messing. On the other hand, anyone who read his explanation of it would never anticipate any humor. First concert tours, conducting in Belgium and Spain, and playing the concerto in Copenhagen, Warsaw, Holland, Germany, Switzerland and Marseille. Something as counter-intuitive as weeping in response to music can ameliorate suffering for a time even for terminally ill patients. "Some Ideas about My Octuor", translated from the French. Neoclassicism in Music: From the Genesis of the Concept through the Schoenberg/ Stravinsky Polemic. Stravinsky’s Piano is a resounding success that will be celebrated by the Stravinsky community for years to come.' Reprinted in Eric Walter White, Stravinsky: The Composer and His Works, second edition, 574–77. Here are some paragraphs, numbered and with the English improved by Richard Taruskin: My Octuor is not an “emotive” work but a musical composition based on objective elements which are sufficient in themselves. The Arts (January 1924). ... ‘ “Chronicle of My Life”, by Igor Stravinsky ’. Studies in Musicology, No. The differences of matter determine the differences of form. 'SOME IDEAS ABOUT MY OCTUOR' (Reprinted from The Arts, January 1924 1) My Octuor is a musical object. See also "Quelques Confidences sur la Musique" (1935), reprinted in White, Stravinsky… He accompanied its appearance with a mock-forbidding manifesto, “Some Ideas about My Octuor” (using the French word for octet), which he published in a London arts magazine in January 1924. Publishes ‘Some ideas about my Octuor’. I always think of Igor Stravinsky’s manifesto, “Some Ideas about my Octuor” (1923), as the founding document of the Organ Reform Movement: I have excluded from this work all sorts of nuances, which I have replaced by the play of these volumes … ... 4"Some Ideas about My Octuor," The Arts, January 1924, rpt. 4 "Some Ideas about My Octuor," The Arts (January 1924); reprinted in Eric Walter White, Stravinsky (Berkeley: University of California Press, 1966), 528-30. Stravinsky himself detested the term, calling it “a much abused expression meaning absolutely nothing.” 101. Stravinsky's Octet, written in 1923 and widely regarded as his first truly neoc. 1 (January): 4–6.
This object has a form and that form is influences by the musical matter with which it is composed. Stravinsky, “Some Ideas About My Octuor” (1924) (course web site) Ferruccio Busoni, “Young Classicism” (1920) (MWC Resource Center) Andrei Zhdanov, … Paris stage premiere of Soldier’s Tale. posts. This object has a form and that form is influenced by the musical matter with which it is composed. 1 (January 1924), p. 5. The Arts 6, no. about. ... Igor ‘Some Ideas about My Octuor’. Not my own statement, but this one by Igor Stravinsky on his Octet for wind instruments is a gem. Back to Whom? Stravinsky's neo-Classical works in part reacted against what the composer perceived as ultra-romantic excesses in the music of German symphonic composers.However, these works must also be seen as a rejection of Stravinsky's own earlier stylistic thinking. Alleging however that this music is ‘about’ a walk would rightly insult many knowledgeable music lovers and not in the least Stravinsky himself, who in his ‘Some Ideas about my Octuor’ outright scorns the thought that music is about anything at all. Moves with his family from Biarritz to Nice. Stravinsky's Octet, written in 1923 and widely regarded as his first truly neoc.